Related Paintings of unknow artist :. | Still life floral, all kinds of reality flowers oil painting 229 | Arab or Arabic people and life. Orientalism oil paintings 493 | Albert Dodge forelaste with ljusbilder wonder six am failing in London if Ascent of Mont Among 1851 | Arab or Arabic people and life. Orientalism oil paintings 215 | Sheep 125 |
Related Artists:
Girolamo Genga
Italian Painter and Architect , 1476-ca.1551 was an Italian painter and architect of the late Renaissance, Mannerist Genga was born near Urbino. According mainly to Giorgio Vasari's biography, by age thirteen Genga had gained an apprenticeship in Orvieto under Luca Signorelli. He was afterwards for three years with Pietro Perugino, in company with Raphael. He next worked in Florence and Siena (where he decorated the Petrucci palace c. 1508), along with Timoteo della Vite; and in the latter city he painted various compositions for Pandolfo Petrucci, a leading local statesman. Returning to Urbino, he was employed by Duke Guidobaldo da Montefeltro in the decorations of his palace, and showed extraordinary aptitude for theatrical adornments. He is recorded as having help design the decorations for the Duke's funeral in 1508. From Urbino, he went to Rome and painted church of Santa Caterina da Siena one of his masterpieces: The Resurrection. Francesco Maria I della Rovere, duke of Urbino, recalled Genga, and commissioned him to execute works in connection with his marriage to Eleonora Gonzaga in 1522. This prince being soon afterwards expelled by Pope Leo X, Genga followed him to Mantua, whence he went for a time to Pesaro. The duke of Urbino was eventually restored to his dominions; he took Genga with him, and appointed him the ducal architect and decorator. He worked extensively on the Villa Imperiale on Mount Accio . Among his work in Urbino, was the scenography of plays,
Aubrey Beardsley
English Art Nouveau/Golden Age Illustrator, 1872-1898 English draughtsman and writer. He was brought up in Brighton, in genteel poverty, by his mother. She gave her children an intensive education in music and books, and by the time he was sent to boarding-school at the age of seven Beardsley was exceptionally literate and something of a musical prodigy. He was also already infected with the tuberculosis that eventually killed him. There is evidence that his talent for drawing was highly developed by the age of ten, and he was subsequently encouraged by his housemaster at Brighton Grammar School, Arthur William King. Beardsley left school at the end of 1888, and in January 1889 became a clerk at the Guardian Life and Fire Insurance Company in the City of London. Attacks of haemorrhaging of the lungs forced him to abandon his job at the end of 1889. On the strength of a short story sold to Tit Bits he tried to pursue a literary career, but when his health improved in the spring of 1890, he returned both to his job and to drawing. Final affirmation of the direction of his art came in July 1891, when he showed his work to Edward Burne-Jones, who told Beardsley: 'I seldom or never advise anyone to take up art as a profession, but in your case I can do nothing else.
Pierre Bernard
(1704 -1777 ) - Drawer